Fuck, Liam. I WAS GONNA DO AN OSCAR POST [matthew]
Alright...
So last night I finally saw the last movie I hadn't seen that is currently nominated for Best Picture. This year is good in that there is no mediocre epic film for the Academy to overrate (like Gladiator or Braveheart. Yeah. I just called Braveheart a mediocre epic. Eat me.), so I was pretty happy with my choices. Similar as to years past, I didn't think anything I saw was that incredible, and I will almost certainly not purchase any of the five films once released on DVD, but I was entertained and intrigued by each and overall, it was a good year. So here's my take on each...
Finding Neverland - Easily the most ehhh of this year's nominees. The story is quaint and charming, and Johnny Depp is strangely calm and reserved, which was both good and bad, I suppose. Yet nothing stood out, and I found the movie as a whole to be generally forgettable. When people died, I felt sad, and when life was unfair, I felt frustrated. But once the movie was over, I went home. One thing I will note is the children in the movie were amazing. Rarely do child actors ever come close to hitting the mark, but these kids were remarkable.
Million Dollar Baby - Don't get me wrong, I like Clint Eastwood a lot, and for some reason, it has always been a dream of mine to share a Tuesday-with-Morey-touching-death-bed-mentor relationship, but that's another blong entry... I didn't like it that much. It's sentimental definitely, and Hillary Swank's line about how she should leave the gym, get a deep-fryer, and move into the trailer was pitiful. But I just wasn't that moved. The Of Mice and Men ending was just that... the ending of Of Mice and Men. Oh fucking well. The look of the film was cool, and I liked the symbolic sideplot with the kid from Undeclared, but that's about it. Oh yeah, and great performance by Morgan Freeman. He can be hit-or-miss, but in this, he was dead on.
The Aviator - A root canal sounds less fun than spending 3 hours with Leonardo DeCaprio, but at least you know there will be novicaine at the dentist. But I was pleasantly surprised when this movie didn't suck. I dare say that Leo gives a darn good performance (damn modified to darn because of performance quality, not because of mormonized censorship)... Perhaps his best performance since What's Eating Gilbert Grape. During a Diocese Club conversation, I once said that I would trust seeing any movie that featured John C. Reilly in its cast, and this movie passes that test once again. I was interested in the action throughout, and it didn't feel three hours long. A solid film all together.
Sideways - I liked it. Wine gives an interesting angle to the obsessed geek formula, and I thought the woman who played Maya... hang on, lemme IMDB her... Virginia Madsen.... She was great. The scene where she and Paul Giamatti are on the back porch talking about how they got into wine.... That scene is worth the price of admission, I think. Overall though, I find it difficult to relate to Paul Giamatti. There is some gap between the two of us that I just can't seem to cross. I don't like Leonardo DeCaprio either, but I could relate to his character and I could understand his reactions... but Paul Giamatti just couldn't be the everyman that this film needed him to be. I know this opinion is clearly unpopular with the rest of the world. Please see the Braveheart reference above.
Ray - My choice for Best Picture. Jamie Foxx does such a great job that when he opens his eyes at the end, you wonder to yourself, "Where the fuck did Jamie Foxx come from?" It's beatifully shot, and wonderfully acted. Sharon Warren who plays Aretha Robinson, Charles' mom, plays her part extremely well, small though it is. One criterion that the Academy clearly doens't take into account is repeat-watchability... This is the only movie of the five that I could see myself watching and enjoying again. Sideways almost lives up to this, except for Paul Giamatti.
So that's my choice. No one is really talking about Ray, and there's no way in hell it will come close to winning. But it's my pick. I'll give some follow-up for my choices in other categories another time.
Later.
So last night I finally saw the last movie I hadn't seen that is currently nominated for Best Picture. This year is good in that there is no mediocre epic film for the Academy to overrate (like Gladiator or Braveheart. Yeah. I just called Braveheart a mediocre epic. Eat me.), so I was pretty happy with my choices. Similar as to years past, I didn't think anything I saw was that incredible, and I will almost certainly not purchase any of the five films once released on DVD, but I was entertained and intrigued by each and overall, it was a good year. So here's my take on each...
Finding Neverland - Easily the most ehhh of this year's nominees. The story is quaint and charming, and Johnny Depp is strangely calm and reserved, which was both good and bad, I suppose. Yet nothing stood out, and I found the movie as a whole to be generally forgettable. When people died, I felt sad, and when life was unfair, I felt frustrated. But once the movie was over, I went home. One thing I will note is the children in the movie were amazing. Rarely do child actors ever come close to hitting the mark, but these kids were remarkable.
Million Dollar Baby - Don't get me wrong, I like Clint Eastwood a lot, and for some reason, it has always been a dream of mine to share a Tuesday-with-Morey-touching-death-bed-mentor relationship, but that's another blong entry... I didn't like it that much. It's sentimental definitely, and Hillary Swank's line about how she should leave the gym, get a deep-fryer, and move into the trailer was pitiful. But I just wasn't that moved. The Of Mice and Men ending was just that... the ending of Of Mice and Men. Oh fucking well. The look of the film was cool, and I liked the symbolic sideplot with the kid from Undeclared, but that's about it. Oh yeah, and great performance by Morgan Freeman. He can be hit-or-miss, but in this, he was dead on.
The Aviator - A root canal sounds less fun than spending 3 hours with Leonardo DeCaprio, but at least you know there will be novicaine at the dentist. But I was pleasantly surprised when this movie didn't suck. I dare say that Leo gives a darn good performance (damn modified to darn because of performance quality, not because of mormonized censorship)... Perhaps his best performance since What's Eating Gilbert Grape. During a Diocese Club conversation, I once said that I would trust seeing any movie that featured John C. Reilly in its cast, and this movie passes that test once again. I was interested in the action throughout, and it didn't feel three hours long. A solid film all together.
Sideways - I liked it. Wine gives an interesting angle to the obsessed geek formula, and I thought the woman who played Maya... hang on, lemme IMDB her... Virginia Madsen.... She was great. The scene where she and Paul Giamatti are on the back porch talking about how they got into wine.... That scene is worth the price of admission, I think. Overall though, I find it difficult to relate to Paul Giamatti. There is some gap between the two of us that I just can't seem to cross. I don't like Leonardo DeCaprio either, but I could relate to his character and I could understand his reactions... but Paul Giamatti just couldn't be the everyman that this film needed him to be. I know this opinion is clearly unpopular with the rest of the world. Please see the Braveheart reference above.
Ray - My choice for Best Picture. Jamie Foxx does such a great job that when he opens his eyes at the end, you wonder to yourself, "Where the fuck did Jamie Foxx come from?" It's beatifully shot, and wonderfully acted. Sharon Warren who plays Aretha Robinson, Charles' mom, plays her part extremely well, small though it is. One criterion that the Academy clearly doens't take into account is repeat-watchability... This is the only movie of the five that I could see myself watching and enjoying again. Sideways almost lives up to this, except for Paul Giamatti.
So that's my choice. No one is really talking about Ray, and there's no way in hell it will come close to winning. But it's my pick. I'll give some follow-up for my choices in other categories another time.
Later.
Oscar Time (<3 matt) [Liam]
Analysis of Winning Hands [Lester]
Romance and Roses [Ben]
